Bodies of Difference
A Different Body Experiences
A Different Universe
 
Ann Whitehurst
 
Endlessly subject to
         
re-interpretation
               
re-formation
     
       
Shelf


He hollowed out the excavation just that bit more to fit his body and the shelf he was carrying.
    [First, by mistake, I wrote 'caring', which he seemed to do for the shelf and how he handled it. Then, trying to put this right, I put, 'carding.' This might have applied in some sense to the shelf at some time too, holding a card index, or might in the future if not previously — if it had that kind of a future or any which some might have doubted seeing its position now in the excavation.]
Did he worry about creating too much of an over-hang and the whole thing collapsing, burying himself and the shelf in suffocation?    
    [I remember a news item. 'Item' so passing, but I can't say I remember some kids on the sands, digging a cave for themselves in the dunes and the sand, being dry and unstable dune sand in particular, fell in smothering one at least. I can't say because I don't remember the children. I didn't know them. It's the news item, no gestures, no likeness, no moments to identify. It's always the news item remembered.. Like the woman who reversed over her baby in the drive way of her house. She'd laid it down in its carrycot and then forgot she had. Is this the way it happened? The forgetting and the cold of laid 'it?' Was it 'him' or 'her?' So crucial to her yet I don't remember which, just 'baby?' Nor how long ago so how old, which will sharp in her constantly if she survived. I wonder what happened to her and feel like something's been cut off in me because I know of the news item. Not wanting to, just ears filled with the words, not selecting either, so a cut-off, not a caring yet how not a caring in shock?]
The shelf is obviously a plank of wood. It's second incarnation? It has brackets still attached as well, besides some marks showing it to be a shelf. So perhaps it's third life, even a later one. Who knows what it was as a piece of wood or as a tree, come to that.
     
  (Do the functions ascribed make the lives or those who ascribe? Or is identity an illusion and it wasn't even a tree?).
He handles it carefully, changing it's position a number of times. First vertical, propped against him, then testing the edge of the excavation by leaning it at a considerable angle onto it. He tries it on the rough, irregular floor in front of him but, though he obviously appreciates it here, it's not enough. In some way, for him, it is unsatisfactory. He seems to come to a decision and moves the shelf to the other, far side. Rests it temporarily, we assume, then starts more digging making a concave shape in, not exactly the back but more the corner. It's like a shell of himself sitting, with a little extra room at his head. He, partially taking up this shape, sits and makes a gentle scraping motion on the rear wall.

Using his eye, rather than relying on movements of hands and arms, he appears to measure and find wanting because he immediately sets to with more vigorous strokes, paring away a deeper recess. Looking again to check, yet not needing to look at the shelf as if he knows it too well for that, he starts again on this new revealed surface the soft, gentle scraping.


 
     
In the wall they look like the reverse of a sculpture. The form so fine scaled, like a mould.   (I felt as if, on the other side of this material, someone could be watching and seeing this relief appear; a nose, then an ear with another a short distance away.)  
Finally he gives it a brief glance. Seems too brief to be of measurement, however he appears satisfied and eases himself around.

Some of this last shaping he did by hand. For a moment he studies the material on his hands, rolling it this way and that with a kind of consideration. Lifting it on his fingers and taking a deep, careful breath getting to know it. Then, as if catching himself, he briskly wipes it on a cloth. It looks like a cloth not a handkerchief.
   

Where did the cloth come from?
 
  (I don't know if he's the type for handkerchiefs. I can't tell his age, perhaps he's too young and it's those large boxes of tissues rather than his having the routine of cotton handkerchiefs.)
Did he have a plan? Until now his preparations seemed to come from where he found himself to be but who knows. Speculating on these things the siteing of the plank, sorry shelf, is nearly missed. He lifts it inexpertly, which is yet isn't, surprising — how often do we handle shelves in an average day? However he found his skill when sitting the shelf in the seeming made-to-measure fittings. Hand in glove and all that, except there was no time lingering over this; the shelf was up then forgotten or at least ignored.

Suddenly we see him intently regarding a map. Turning it this way and that too, as if making something else out of it than what it was.

   
  (What did this man feel? He felt for the shelf or so it had seemed until it was in position; for the clay when he worked or rather afterwards, having been completely engaged with doing the job, no tender or exploratory moments there)  

On the map a finger appears; starts to trace a path. As it moves it leaves behind a glowing line the width of the finger. He peered down at the hand, no there was only a forefinger, not alarmed but following closely the movements. Eyes flickering occasionally back to the path marked out in the orange glow; the beginning settling now to that peach flesh of some photographs and with no glowing aura.

He dreamed of a gentle slope of grass; the grass flattening with the direction of the wind. It wasn't grass now, not a blade but it could be, after all look how quickly grasses, weeds grew and took hold at the edges of even well used areas. Not this place though, they were cut down too regularly for that and his mind moved between these two images, superimposing one on the other and by this imposition force one to accept the outcome of the dream.

Suddenly thick-grip-tyre-treads spun, shooting dust in sparks not settling until a full contingent had moved sharply to a curve halt around the excavation. Just as quickly the excavation, the shelf and the man were scooped into the air and held momentarily still in the mouth of a medium sized excavator; it then started moving. The map, thrown upwards beyond the excavation and the man, fell in jagged swoops. The finger, falteringly at first then in quick flits, tried to recapture it's position on the map. Not concerned about the fall or staying with the map when it rested but in needing or wanting each moment to be in a certain position on the map.

   
       
       
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Bodies of Difference
A Different Body Experiences
A Different Universe

Ann Whitehurst