NetEscape Mfanamic's Trail |
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Mfanamic's Trail. Understand something you disapprove of. mfanamic --------- Walk away. Do it with pleasure, without contemplation. mfanamic --------- Wheel away. Do it with pleasure, without contemplation. mfanamic --------- Truth might be implied in the falsity of some questions. How do we know? mfanamic --------- Reminisce about a recent past event, like what you did a few days ago, as if it happened long ago. mfanamic --------- Be universal then don't understand yourself. mfanamic --------- Laugh, a little awkwardly. mfanamic --------- Look at the gathering and ask questions. mfanamic --------- Count your ideas, your experience. mfanamic --------- Bother the equipment but don't be bothered by the equipment yourself. mfanamic --------- Be contrary persona. mfanamic --------- Don't reject or romanticise. mfanamic --------- Can I trust you? Be reluctant but be convinced. mfanamic --------- Be conscious of being looked at. mfanamic --------- Celebrate deep ambivalence mfanamic --------- Imagine you're wearing vivid red, bright purple, shimmering green - move items from one pocket to another with demeanour suiting your colouring. mfanamic --------- Find the time mfanamic --------- Seek out evidential links amongst these questions, your life, the contrary places you live. Pocket-net/email the meanings. mfanamic --------- Let the movements affect your behaviour. mfanamic --------- Want to reject or even feel distaste but then understand. Pocket-net/email your comprehension. mfanamic --------- Journey from one to another. Do it well but not too well. mfanamic --------- Name something 'public' when it excludes people. mfanamic --------- Leave love in a pocket. Then email a request for more. mfanamic --------- What is the price to pay? Who pays it? Email the bill. mfanamic --------- Whatever you do in the next hour don't do it as private practice but as social display. mfanamic --------- Is anyone paying any attention to assisting re-integration? Pay attention now, place it in a pocket then swap it with contents of pocket furthest away? mfanamic --------- Who should pay for re-processing nuclear waste? Email the bill. mfanamic --------- This, the site of an unknown culture, move as an explorer, be aware of danger, of unexpected finds. Email or pocket documentation of your stay mfanamic --------- Accept the impossibility, then argue with yourself. Email/pocket-net the result. mfanamic --------- Annex common space without permission, make it accessible. Email/pocket-net your reformations mfanamic --------- Do many people crumble under this pressure? Do you? Place the crumbs in a pocket, then reassign to another image body part. mfanamic --------- Let the questions affect your behaviour. mfanamic --------- Sit so that we can tell how you came to be there but make it a lie. mfanamic --------- Don't know what to idealise. mfanamic --------- Pick up where you left off; do it as another identity. Pocket-net your other third. mfanamic --------- Negotiate with someone who can only understand you through their misconceptions. mfanamic --------- Admit it has a curious power mfanamic --------- Be challenged by this building, place in a pocket what you'll use to fight the duel. mfanamic --------- Learn everything by mistake and email or pocket-net your creative errors mfanamic --------- Do not reprint with or without our permission. Permission granted, print repeatedly mfanamic --------- Some weather is drifting into lost identity - pin it down in a pocket near to the heart or head. mfanamic --------- Let secret understandings occur all of a sudden mfanamic --------- Lie in the field of available representations and symbolic positions. Pick yourself up, dust yourself off and start all over again mfanamic --------- The hand belongs, tailor a process mfanamic --------- Rationalise the unavailability of the person you love. Email Mfnamic your intuitions. mfanamic ----------- Pocket-net a quest for others to attain. mfanamic --------- Refresh an outsiders perspective. mfanamic --------- In a mythical presentation, break the mould. Inside the space from the outside. mfanamic --------- Move interestingly not with the boring sameness of the next. Go beyond the restrictive assumptions. mfanamic --------- Be formed by a cripple, not limited by your conformity. Go beyond restrictive assumptions. mfanamic --------- Need to be seen? Need to be seen. Pocket the need mfanamic --------- Don't know what to think mfanamic --------- Return over and over again, make a layered relationship over time. Email or pocket-net some evidence of the intimacies of the relationship mfanamic --------- Handle the subject matter. Absorb the general consensus. mfanamic --------- Travel from one disparate local to another, know they cannot be adequately mapped but live with it mfanamic --------- Move quickly to the critical next steps of collateral development. mfanamic --------- Read about the human beings within. Tap into their capacities for surprise thinking. Net or email the surprise. mfanamic --------- Draw people into it. mfanamic --------- Be shyly reluctant and withdraw mfanamic --------- Get under the surface of net-escape, email what is revealed mfanamic --------- Organise the recent past - place in a pocket near the disorganised. mfanamic --------- Have reservations but like it. mfanamic --------- Let mystical, implicit understandings appear. Email or pocket the understandings and exchange for soup of the day mfanamic --------- There are lots of other things they can do with their weekends. Choose a pocket suited to the activities for your list of, other things. mfanamic --------- Want to know more. mfanamic --------- Draw different things from it. Pocket-net your drawings near an argumentative image. mfanamic --------- Help to solve navigation problems, support expressiveness mfanamic --------- Find a sign of the times, email or pocket-net its description mfanamic --------- Swim around the nets, become entangled with your views and those of another, email=pocket the resolution or leave it hanging in the air mfanamic --------- Perform your gender. Perform the other. Get someone to review your performances, pocket-net or email mfanamic --------- 'There is a range of reactions by people to objects in the environment.' Are we limited by our range, by our reactions? mfanamic --------- Press your hands against your head, feel. mfanamic --------- Eat with necessity in mind but let your movements count. mfanamic --------- Find a sign of another time, Pocket-net or email its description mfanamic --------- The future is never what you think it'll be. Think differently. mfanamic --------- This is what banking is today. What will banking be tomorrow? mfanamic --------- Make a confusing variety of fragments out of a meaningful whole mfanamic --------- Revel in how you appear mfanamic --------- Clamour to join sessions with online themes. Email to let me know the theme mfanamic --------- Move different body parts to different rhythms mfanamic --------- No matter what you desire, recognise your experience isn't universal. mfanamic --------- Work extensively with Pharmaceuticals mfanamic --------- If all else fails, take a nap. mfanamic --------- Smile until your face starts to ache in gratitude, then smile on the other side of your face mfanamic --------- Look at your watch or ask the time as if your late for an appointment, feel the urgency, then realise you've arrived mfanamic --------- Remake absent places and times mfanamic --------- Don't know what to do mfanamic --------- Make innovation happen. Email/pocket-net the results. mfanamic --------- Be an expression of the space you occupy. Pocket-net/email what you express mfanamic --------- Listen to the silenced voices mfanamic --------- Stop at a place or pick up a material because there is something to be discovered. Pocket-net or email your discoveries. mfanamic --------- Never think about being a woman. Never think about being a woman? mfanamic --------- understand the often unarticulated attitudes, feelings, and perceptions of consumers while catalysing and engaging their creativity and divergent thinking. mfanamic --------- Calm a wall. mfanamic --------- Lose foothold and let impulse take command and lead you all over the city mfanamic --------- Can the art work be assumed to be the real life of the artist? Is this really living? mfanamic --------- Work with polarities mfanamic --------- The pictures are confined in their containers, release their pictorial contents with uninterrupted space. mfanamic --------- Feel the melancholy mfanamic --------- Her language is broken and stained. Assuage her mfanamic --------- Be uneasy with identity but recognise yourself mfanamic --------- Cure chronic exclusion. mfanamic --------- Suck the outstretched hand, which appears off-screen mfanamic --------- Whatever attitude, whatever style make it work as a performance. mfanamic --------- Lay bare an array of voices. Email or pocket-net their witness mfanamic --------- Find something to share with someone else, share it with us by email or pocket-net. mfanamic --------- Catch your good side. mfanamic --------- Find a place in the world and hold a consistent map, mark where we are and pocket it mfanamic --------- Do not accept that language is hopelessly adverse or opposed to our interests, move beyond a call for future reform, intervene in present discourses. mfanamic --------- Wear the garment which is too heavy for you, concentrate your resources on its restrictions, feel free mfanamic --------- In an interactive setting, utilise a consumer at a critical juncture. mfanamic --------- Dismiss a good idea mfanamic --------- Establish preemptive ownership of a category and email or pocket net your invoice mfanamic --------- A well-chosen name distinguishes you from the competition Pocket-net or email your chosen name and the competition you want to separate from mfanamic --------- Challenge customary choices but wouldn't you choose conformity? mfanamic --------- Familiarise yourself with the space through drawing mfanamic --------- Move quickly to the critical next steps of filing and email or pocket-net your index. mfanamic --------- You are now in the Naming Arena become anonymous... mfanamic --------- Do not be in constant search of intolerant opportunities, change the environment. mfanamic --------- Re-investigate the topics through various visual expressions of what they may mean. mfanamic --------- Reveal a passion for a subject. Clamour to join the Passion Interest Panel. Email/pocket-net your passion and your success or failure mfanamic --------- Engage with the art of the past on a grand scale don’t deal with spaces given. mfanamic --------- Silently amend it to exclude me mfanamic --------- Be an expert in unique formats but be unoriginal mfanamic --------- Moment by moment compose yourself. mfanamic --------- Move seldom considered parts with an energised and dramatic rhythm. mfanamic --------- Need the shock of touch. Email/pocket-net your evaluation of a variety of sensations mfanamic --------- Change direction in space. Email or pocket-net the movement, the feeling. mfanamic --------- Make of your fight a lasting document. mfanamic --------- The performance exists as notes and stories strewn across a pile of sketchbooks; add to the performance by email or pocket-net mfanamic --------- Model yourself. Assume you’ve be talent scouted. mfanamic --------- Make a scene mfanamic --------- Require that the collective creation be initiated and pocket-net/email the collective difficulties encountered mfanamic --------- Don’t just say something be said by it too mfanamic --------- Frame each movement into unexpected forms of discourse mfanamic --------- Plot and time fragments of gestures, completely independently. mfanamic --------- When you can't write, lie on the floor a while or think of something else. mfanamic --------- Debrief the future economic environments. Follow by a client team dying session. mfanamic --------- Alight on the surface of things with elegance and words that dance. mfanamic --------- Point thrice to the ephemerality of the artistic gesture mfanamic --------- get at not only what you/they know, but also what you/they don't know that they/you know mfanamic --------- Intimate a different sense of reality mfanamic --------- Value understated humour mfanamic --------- Remove your body from the gaze by ... Supply the missing term in pocket-net or email mfanamic --------- Create a series of gestures from phrases you hear or remember, form them into movement-dance mfanamic --------- Decide not to watch mfanamic --------- Stay in one place become aware of change. Let your previous nine years prepare you for such a place. Then move swiftly lose track of time mfanamic --------- Let your struggle be made obvious, make it incredible that it wasn't recognised before mfanamic --------- Forget about the packaging view independently. mfanamic --------- Is the resistance of place here? mfanamic --------- Feel the delay, a fine tension mfanamic --------- When you leave the processes continue. Disrupt the process. Email what will happen afterwards, we will visualise something to the contrary mfanamic --------- Enter where you will, voice it all. mfanamic --------- Access movement that you haven't experienced mfanamic --------- Dip your hand in a freezing pool. Was it exhilarating or do you want comfort? Test the temperature of the pools around you, measure your feelings if others join in. mfanamic --------- Counteract change in the weather. mfanamic --------- Make manhood an object of scrutiny rather than an assumed universal. Pocket-net or email your research mfanamic --------- Be enacted, seen and contemplated. mfanamic --------- Find the centre of the work and release it more fully than the artist who created it. mfanamic --------- Let your identity accrue through the voices around you mfanamic --------- Restrict yourself to a tongue in an ear, ignore the background of this text. mfanamic --------- Fall to the ground consider the noise you'll make mfanamic --------- hear thunderous applause mfanamic --------- His mother sustained an almost total lack of identity. What was the cause and did he ever really seek? mfanamic --------- Turn a basic movement into a collaboration of limbs. Overlay onto a simple travelling motion mfanamic --------- Perform the work, go for a slow, meditative rhythm. mfanamic --------- Accompany the corridor in an internal mimicking of its details and measurements. mfanamic --------- What is real and what is acting? mfanamic --------- Combine diversity from images mfanamic --------- Zoom and browse your way around the world, and create personalised maps for desired destinations. mfanamic --------- Let sheer tactile cut-value draw you. mfanamic --------- Move directly, make it different in keeping with the rhythms of speech and silence mfanamic --------- Apply extreme subjective pressure to the objective world, email or pocket-net the results of your latest effort. mfanamic --------- Pursue a line which cleaves through a procession of selves mfanamic --------- Perform anywhere, at any time, alone or with others, share an experience with people you have never met, or may never see, but you know that they are there and that you have a part. mfanamic --------- Follow the example in creating y/our own editions mfanamic --------- View the lawn appearing to float before you. Perform an event, realise it, follow through a notation to develop physical objects and processes mfanamic --------- Release the ideas to float freely but not valueless. mfanamic --------- Make little differences with collaboration. Attend to the details of human surroundings, create unexpected alliances. mfanamic --------- Let your tongue loose in powerful activity mfanamic --------- Leave your interpretation in a pocket or email mfanamic --------- Re-enter the place, wave to someone you don’t yet know, leave a message in a pocket or email. Until we meet again in the net scape. mfanamic --------- In repudiating a touch, consider the consequences if it’s your touch or anothers. mfanamic --------- Find other ways of being there. mfanamic --------- Let your definition be unclear. mfanamic --------- See people who are performing things concerning their experience and giving form to it. Perform things concerning your experience and give form to it. mfanamic --------- Speak about what people are absolutely reticent to hear. mfanamic --------- Relate to the spectacle in never resolvable questions about sexuality and identity. mfanamic --------- Play with sexuality, self-image, gender. Which did you find the most compelling? mfanamic --------- What has been your relationship with the group? mfanamic --------- Be excited with different other postures you can have. mfanamic --------- Draw from your experience unusual ways of using the body, to speak through the body, a testimony of untransmissable body experiences. mfanamic --------- Breath in that room, vibrate in that room, be unequivocally present in that room. Return and tell me your yearnings mfanamic --------- I can be an over-achiever, be one too, make your mark mfanamic --------- Scramble to be part of a new opposition. mfanamic --------- There can be a subtlety to my message, make it so. There is a place for whispers, find it. mfanamic --------- Have to laugh - let it be immensely time consuming and take lots and lots of knowledge. mfanamic --------- Be a perennial complication possessed of numerous rough edges. mfanamic --------- Explore different techniques for the sake of experiment. mfanamic --------- Sometimes do a graphic just because you like the way the pieces fall mfanamic --------- Show the wonderful variety of ways the female body can look. mfanamic --------- Reveal your dream of the last five minutes mfanamic --------- Set a direction move from object to idea mfanamic --------- Worked assiduously to suppress photographic works that offered alternative views mfanamic --------- Feel a mid-way sliding mfanamic --------- In this bruised place of frowning, calm like the surreal for Mfnamic mfanamic --------- Move until you find the unexpected mfanamic --------- Sit the house so that it mandates a new concept for urban space that is nonetheless continuous with the history of the site. mfanamic --------- Propose water transformations of industrial spaces. mfanamic --------- Develop a new relationship to the water which relies neither on a nostalgia for the past nor an erasure of the rich history of industrial space. mfanamic --------- Decide how the dust made its way mfanamic --------- Propose uses for the empty shell of the defunct technology, not as monument to a bygone era but as generator of a new public space and as the starting point for a new institution. mfanamic --------- Become the chrysalis out of which emerges the interface between land and water. mfanamic --------- Pat & Bicamerl's Trail Return to NetEscape |
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