LINK July 1996
Darke at the Cinema
Amputees are in vogue at the moment in big Hollywood comedies. Apart from the obvious example of the
lower limb amputee 'Nam Vet' in Forrest Gump (Gump's best mate in the film) we
have recently had two more comedies that feature upper limb amputees: Kingpin
and Happy Gilmour. The first is a
film about Ten Pin Bowling and the latter is a golfing comedy (not that I ever
found golf funny; boring, yes).
In Kingpin we have Woody Harrelson (of Cheers fame) as a new king of
the bowling alley until he looses his arm and turns to drink. His life as a failure (his surname, in
a touch of comic genius, is used by the others as a by-word for all that implies
pathetic failure in the world of the American Dream) is marked by one bad-joke
after another; with possibly the most gross joke about sex and a bowel
evacuation - at the same time - ever made as the epitome of life as an
arm-amputee failed ex-bowling champ.
I loved it!
Happy Gilmour, on the other hand, has the amputee as secondary to the
main character; Happy, the name of the central character, is a ice hockey
player who cannot skate but has an incredibly powerful shot and needs money to
get his granny out of debt: he takes up golf. His swing is magnificent but his putting is awful so he
takes the advice of a one armed ex-golfing pro called Chubby. Chubby has had one arm bitten off by an
alligator whilst looking for his ball in the water on the golf course. Chubby's prosthesis is mangled, glued
together and re-mangled and no end of comic references made about it through
out the film.
The difference between the two movies is that Kingpin is excellent and
Happy Gilmour is a little weak in both aspects of comedy and the treatment
living life as an amputee. Whereas
Kingpin goes all out to be in bad taste the central character is real - for the
world he inhabits - whereas in Happy Gilmour the joke is the prosthesis; not
life itself, as in Kingpin. The
comedy in Kingpin is gross, but funny, because it is the comedy of life;
Kingpin is about the American Dream and how one lives in it as someone
marginalised with a disability.
Kingpin is laughing at life (if it happens to us its tragedy, if it
happens to someone else its comedy); because life is funny. Happy Gilmour is not about the comedy
of life but the comedy of seeing the disabled as comic fodder; it is personal
rather than about everyone at the same time. It does not contextualise disability but marginalise it by
having it as the root of the comedy and not life. That Chubby gets killed (by the a dead alligator!) whereas
Woody Harrelson's character gets the girl, rich and makes a comeback also
helped Kingpin seem up-beat and better film.
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