Disability Now
– Paul Darke
April 1999 TV Review
Mrs Merton
and Malcolm (BBC 1, 1/8/15/22 March) is an amazing sitcom in a nightmarish sort of
way. Can you imagine the ‘pitch’:
it’s a jolly good laugh at a guy with learning difficulties who lives
with his not very bright domineering northern mother. Six years of the Disability Programme Unit at the BBC has obviously taught the
monolithic corporation we all call the BBC so much! Not.
I had hoped
that Channel 4’s ACCESS ALL AREAS season would
deliver something original, challenging and accessible.
Unfortunately, the season’s programmes subject matter has already
been covered in past From the Edge programmes and on Channel 4 itself in previous
documentaries.
As for the
season – it a week lads! The
Half Monty (C4, 4 March) was voyeuristic whilst making any criticism of
its subject matter (strippers of restricted growth) seem churlish and dogmatically
PC. Penny’s Baby (C4, 6 March),
a look at a severely disabled mother’s attempt to stop social services
taking her new born baby of off her, was equally simplistic, biased and voyeuristic
whilst failing to highlight the illegality of Social Services actions. The Down’s Syndrome (C4,
7 March) highlighted medical discrimination against people with Downs Syndrome
whilst What’s So Special about David? (C4, 8 March) covered an equally not unusual case of educational segregation
and discrimination against a young lad with Downs Syndrome. Such practices are common, evil and should
be deemed abhorrent in a civilised society yet Channel 4 does nothing usually
but reinforce such practices the other 51 weeks of the year it broadcasts. A one-off programme / season that is sympathetic
is insulting however well made by non-disabled film-makers (access all areas
– I think not).
Off Limits:
Strong Language (C4, 9 March) was a worthy drama about Deaf identity that would ideally
fit a deaf awareness morning education slot; a place I suspect it is destined
to end up. Though it was good to see deaf people involved in the production. Freak Out (C4, 12 March) was a clichéd,
aggressive in form but not content, male dominated Eurotrash style
attempt at disability TV, which had the same stories as past From the Edge’s,
only they were louder and less interesting.
It was supposed to be ironical in part but the only irony was that
the programme was made. When a ‘season’s’ links and trailers
are better than the actual contents its time for some new thinking.
On a bright
note, From the Edge ended on BBC 2 in March. But, tragically, I fear we are in for another series in the
future. Help.
427 Words
Note
for Mary Wilkinson:
Channel
4 will probably write a response to this review for the next issue – please let me see it so that I
can comment on the comments, for publication.